







East Yorkshire in the Wild Exhibition Prints
Prints from “East Yorkshire in the Wild”, a joint exhibition of original prints by Caroline Foxton and Eleanor Proctor. Eleanor Procter and Caroline Foxton draw on their observations of the natural world.
East Yorkshire in the Wild Exhibition Prints
Prints from “East Yorkshire in the Wild”, a joint exhibition of original prints by Caroline Foxton and Eleanor Proctor. Eleanor Procter and Caroline Foxton draw on their observations of the natural world.
Eleanor Procter
“I started printmaking around eight years ago, after a few years illustrating in pen & ink and studying graphic design at the University of Leeds. I really enjoy the process of printmaking and get such satisfaction seeing a print come to life from a design, to being carved and then getting to reveal the final image. I love working with traditional, tactile materials and getting covered in ink!
“My inspiration mainly comes from the natural world. Living in East Yorkshire I’m very lucky to have a vast range of habitats to explore and love nothing more than heading out with a pair of binoculars, my camera and muddy boots! Once home, it’s time to stick on the kettle, get some music on and get printing!
“My focus so far has been working with relief printmaking, but I’m excited to see what the next steps are and would love to explore other forms of this wonderful medium!”
Caroline Foxton
“Walking around the local countryside near my home is where I find inspiration drawing on my observations of hares and other animals, and birds to create my prints.
“If I’m lucky I take a quick snapshot with my phone, otherwise I try to hold an image in my head later scribbling down a quick sketch. If needs be I work from there doing more research on the subject resulting in the final detailed drawing.
“I like to experiment with various printmaking techniques lino cut, aquatint, etching, drypoint occasionally hand colouring a finished print.
“My particular favourite is drypoint. It’s a technique that allows me to be spontaneous with my drawing method by simply scratching into the surface of a Perspex or zinc plate in a very naturalistic way.”